Live portfolio reviews

11 September 2026

During BredaPhoto Festival 2026, we are hosting one in-person portfolio review and two online portfolio review sessions on three different dates: Friday 11 September (in person), Tuesday 22 September (online via Zoom), and Tuesday 13 October (online via Zoom). These portfolio reviews connect emerging photographers with industry professionals, offering valuable feedback and new perspectives on their work.

Location: Foyer Chassé Theater, Claudius Prinsenlaan 8, Breda
Date: 11 September 2026
Time: 10.00-13:00
Price: €15,- per review

 

We bring together industry professionals and emerging photographers, including students and advanced amateur photographers. Our reviewers are a carefully selected group of curators, editors, publishers, and photographers.

If you’d like to have your work reviewed but can’t afford the fee, you can apply for a free review by emailing astrid@bredaphoto.nl.

Tickets are also available for the online portfolio reviews on 22 September and 13 October.

Buy tickets for the Live Portfolio Reviews on 11 September
Tickets
Reviewers

Ruben Lundgren (fully booked)
Ruben Lundgren (b. 1983) is Senior Curator at the Nederlands Fotomuseum in Rotterdam. A conceptual photographer, curator, and researcher, he is known for publications including Empty Bottles (2007) and Tokyo Tokyo (2010). In 2011 he completed a master’s degree in photography at the Central Academy of Fine Arts. His two decades in China profoundly shaped his practice and led to a sustained engagement with contemporary Chinese photography and visual culture.

Lundgren worked as a photojournalist for the Dutch newspaper De Volkskrant and later established himself as an independent curator and specialist in Chinese photography. Together with Martin Parr, he co-edited The Chinese Photobook (2015), a landmark publication on the history of Chinese photography. As guest curator of BredaPhoto, he curated the exhibition China Imagined (2020). His ongoing interest in vernacular photography resulted in the acclaimed publications MeNu (2018), Dream Machine (2023), and Wildman Fever (2024).

Appointed Senior Curator in 2025, he initiated Quickscan 3: Photography Now (2026) together with Guinevere Ras, continuing his focus on photography as a reflection of contemporary culture and society.


Annaleen Louwes
Annaleen Louwes (1959) lives and works in Amsterdam. She studied photography at the Gerrit Rietveld Academie, where she later became a lecturer. She also teaches at the Royal Academy of Art, The Hague. Alongside commissions for cultural institutions, theatre companies and magazines, Louwes works as an independent artist.

Her work explores the fragile and transient nature of human existence. She is fascinated by the ways in which people survive under different circumstances, and by how these experiences affect the body and the way we carry ourselves. These themes recur throughout her photographic series and films.


Rob van Hoesel (fully booked)
Rob van Hoesel is a Dutch graphic designer focusing on editorial and book design. In 2011 he founded The Eriskay Connection, an independent publisher focusing on contemporary storytelling at the intersection of photography, research and writing. His work is characterized by a conceptual approach, co-authorship, and the importance he gives to meaning and communication. Van Hoesel has been often awarded at Dutch and International book design competitions, such as: Best Dutch Book Designs, European Design Awards, Aperture/ParisPhoto Photobook Awards, Deutsche Fotobuchpreis and more.


Tom J.J. Viaene (Fully booked)
Tom J.J. Viaene is a Belgian editor, lecturer, and programmer with a background in aesthetics and intercultural philosophies. His research explores the philosophical and ethical dimensions of image making, presentation, and collection. He coordinates the Trigger book series for FOMU – Museum of Photography in Antwerp, a publication for reflection on photography. He teaches at Sint Lucas Antwerpen School of Arts, where he also serves as program coordinator for the Sint Lucas Antwerp Research Group (SLARG). Additionally, he is an editor of Grounds, the school’s research journal. He lives and works in Brussels.


Velina Stefanova (fully booked)
Velina Stefanova is a Bulgarian curator, artistic director, and co-founder of BECA (Before Creating Academy), an independent platform dedicated to contemporary photography and visual storytelling through educational programs, exhibitions, publishing, and international collaborations with organisations such as Magnum Photos.

As curator of BECA Gallery, she has curated more than twenty exhibitions across galleries, festivals, and independent art spaces in Bulgaria and internationally. Her practice also extends to publishing, where she has edited numerous photography books, including BLIK, BECA’s annual photo-text publication, which she leads as Editor-in-Chief.

Interested in projects at the intersection of documentary, conceptual, and personal narratives, she works closely with artists to explore how curatorial practice can generate new perspectives and meaningful public engagement.

Currently a Director’s Fellow in the One-Year Certificate Program in Curatorial Practices at the International Center of Photography (ICP) in New York, she is developing the curatorial framework for a future international photography festival in Sofia, envisioned as a platform for long-term artistic collaboration and international exchange.


Samira Damato (Pride Photo)
Samira Damato is a Maltese-German filmmaker, curator and cultural programmer based in Amsterdam. She is currently the Artistic Director for the Pride Photo organisation.

Samira has worked with multiple high-caliber cultural foundations, NGO’s and institutions such as Greenpeace, Friends of the Earth (Milieudefensie), EuroPride, the World Press Photo Foundation and NOOR images, to curate and develop exhibitions, cultural programmes, and educational workshops, ensuring their accessibility and working to create sincere and urgent dialogue with a specialised focus on environmentalism, human rights, and inclusive representation.


Frederiek Biemans
Frederiek Biemans is an independent curator and programme maker. She curates and produces exhibitions and related public programmes. She was artistic director of Humanity House, where she shaped the artistic and curatorial direction of exhibitions and programmes exploring international and global issues around peace, justice and migration.


Marloes Heineke (fully booked)

Marloes Heineke (1977) is a staff photo editor at NRC. She previously worked as a freelance photographer for NRC, Het Parool, EW, Trouw and Vara Gids.

She has been photographing since 2011 and is entirely self-taught. Her work includes long-term series about her daughter Leila (born 2004) and her father, who lives beyond the dikes in the floodplains of the Betuwe. Heineke also takes commissioned portraits, and some of her photographs have been sold to private collectors. Her work has been exhibited in the group exhibition Here Is a Happy Place at De Engelbewaarder in Amsterdam and at the Kunst10daagse in Bergen. She has also published the photobooks Made in NZ and AI? Leila!

Her work has been published by, among others, the PvdD’s Kanarie, PF Magazine, Kiekie and NRC Media.

Together with her partner and photographer Dirk Kome, she has been working since 2022 on an exhibition and research project about female photographers who have photographed their male partners or lovers nude.

In recent years, portfolio reviews have become an increasingly important part of her work. At the beginning of September, she will also be at Visa pour l’Image in Perpignan for three days of portfolio reviews.

A website is currently in the works, but you can find her on Instagram or at marloeska@gmail.com.

For the review: I love paper and prints — having something physical to hold, move around and put down. So my tip is: bring your work as a printed portfolio!


Farah-Silvana Kanaan
Farah-Silvana Kanaan is a freelance Lebanese-Italian-Dutch writer, [developmental]editor, curator and creative consultant based between Amsterdam and Beirut. She studied Film & Photography at the University of Bologna and has a degree in Media & Cultural Studies from the University of Amsterdam Her work has appeared in The British Journal of Photography, Kinfolk Magazine, Discontent, Dazed, Rolling Stone, Middle East Eye, The New Arab, The Markaz Review, Rusted Radishes, Trouw et al. She was the guest editor for the Mare/Sea/بحر edition of Italian cultural magazine Arabpop and co-editor of Slow Factory founder Céline Semaan’s first book “A Woman is a School.” She is currently a writer, editor, and curator for tribe photo magazine — a non-profit publication and platform dedicated to photography and moving image from the Arab world and its diasporas and a commissioning editor and writer at The Public Source, a Beirut-based online magazine dedicated to uncompromising journalism and critical commentary from the left.
Farah has gained experience as a researcher and dramaturg on documentaries, a creative editor on photo books, and has hosted talks on film. She was also a freelance radio, TV & print foreign correspondent in Lebanon for 8 years, in addition to working as a writer and editor at three different Lebanese news outlets. She has given workshops in creative writing and portfolio-building at The Institute for Palestine Studies and is known for her in-depth profiles of artists.
Her work focuses on the politics of culture in the Global South, (de)mystifying the Arab-Mediterranean identity, and all things related to her beloved Bilad al-Sham: Lebanon, Palestine & Syria, about which she is currently writing a personal, lyrical history. But mostly, she is passionate about uplifting visual artists from the Global South, with a strong focus on the MENA region, and helping them find and express their unique voice, through visuals and text.
Raffaella Huizinga 
Raffaella Huizinga is a photo editor at Dutch newspaper NRC. At NRC, she works on the selection, context and presentation of photography. For the weekend section and the photography column ‘In Beeld’, she looks for distinctive projects that move, surprise or offer a different perspective. Her interests extend beyond traditional photojournalism to include documentary and more autonomous approaches to visual storytelling. She is particularly interested in how photographers tell stories and in the ethical questions that arise in the relationship between photographer, participant and image.
Huizinga holds a Master’s degree in Photography and has taught ethics of photography. She has served on several photography portfolio review committees, including De Zilveren Camera – Storytelling, the Rotterdam Council for Art and Culture, and Visa pour l’Image. She occasionally writes about photography for NRC.
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